The spoken words and sounds in these five audio works are dragged from the materials that enter my practice, along with the strange little resonances and languages they insist on speaking.

What emerges is a kind of material soundscape — part obsessive archive, part sonic Frankenstein, stitched together from the phrases and fragments that are compulsively collected.

These words don't play nice, they rub up against each other awkwardly, argue with each other, eventually settling into uneasy alliances, forming what I like to think of as sonic matter. It is less about harmony, and more about friction.

They are a sculptural approach to sound, where meaning isn't something that happens in the cracks.